The faith-based action film “The Sound of Freedom” debuted on Amazon Prime this week, but its streaming release has been marred by renewed criticism over the casting of lead actor Jim Caviezel.

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Caviezel Portrays Real-Life Hero

“The Sound of Freedom” tells the story Tim Ballard (played by Caviezel), a former agent who abandons his career to rescue child trafficking victims. It’s based on real events from Ballard’s organization Operation Underground Railroad.

While the film aims to highlight the horrors of child trafficking, its casting of Caviezel as Ballard has come under fire. Critics take issue with the actor’s controversial anti-LGBTQ and anti-abortion activism.

In the past, Caviezel has compared abortion practices to the Holocaust and made inflammatory comments about former President Ronald Reagan’s “punishment” for gay-related “transgressions.”

Backlash Over Ideological Messaging

For activists, granting such an outspoken figure the lead role undermines the film’s central message. Some have accused the faith-based production of exploiting a worthy cause to promote a conservative ideological agenda.

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“It’s dangerously irresponsible,” said protestor Riley Grant outside an early screening. “This should be about uplifting victim voices, not promoting someone with Caviezel’s record of hateful rhetoric.”

Director Defends His Vision

Meanwhile, director Brent Dawes has defended his choice of Caviezel, stating the actor’s religious background resonates with the evangelical faith guiding Ballard’s mission.

“Istand by Jim as the best man for this role,” Dawes said. “His passion for sharing Tim’s story comes from a genuine place.”

But skepticism persists over whether the on-screen depiction of exploitation can be separated from real-world harm perpetuated by the lead actor’s divisive political stances.

The criticism now threatens to undermine a film that otherwise sheds light on an undeniably important human rights issue. It exemplifies the increasing willingness of audiences to vote with their viewership against productions at odds with inclusive values — no matter the subject matter.